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F.P.B. (Fourth Price Band) *

F.P.B.

      F.P.B. { short for Fourth Price Band } was one of the most influencial precursor band, from czech «punk» movement, formed in 1980 at Teplice —town bordering germany— by bassist, singer and poet Miroslav Wanek & his friend Petr Růžička, who improvised sort of «manager». These two amigos were soon joined by drummer Milan Nový and, later, by guitarist Romek Hanzlík. This line∼up scoured nearly 40 concerts { including a unique & epic date at the polish Jarocin festival } until 1985, when Mirek & Romek joined and truly launched the stammering collective Už Jsme Doma…
In 1986, the «manager» tried to reboot (under the same name) with a new members around the original drummer, who broke up in 1987…

• Since 2008, Wanek & Hanzlík let Už Jsme Doma play 21 songs from F.P.B. repertoire during exceptional, fusional passionate concerts…

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DANCE KENNEDYS *

Dance Kennedys

      DANCE KENNEDYS was the real odyssey (2001) : A blurred improvised «live & direct» rehearsal suicidal session with no other intention∼pretention than to devour∼deverse one’s pleasure, scrambling, noisy (messy !) references∼influences { multiple rapid & intrepid 80’ sounds ; from the «End All Discrimination» recording of canadians Neos (fall 81) to the «Soul Discharge» of japaneses Boredoms (summer 89) } of three music lovers amigos : François L’Homer ← guitar & effects (with two amps, bass & guitar ones) + Orkhan Murat ← drums ; Both also playing in the line∼up & down Tear Of A Doll + Jello Biaphragm ← microphone.

• Quickly done, badly done… Perfect tho.

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AUDIO SUPERSTAR *

Audio SuperStar

      1999 !!! A whole year of rehearsal, for only an exceptional stage performance { Instants Chavirés, Montreuil∼Sous∼Bois, france } → for a unique analog session { 8 chansongs  recorded «one>shot» with Didier Tillit  at studio B.M.T. (Pré∼Saint∼Gervais), from which only 4 will be mixed } → an ultimate vinyl production { a single 7” FUGAZI tribute compilation } → for 1 woman & 3 woo∼men in classic «rock» intrumentation ← Guitar + Bass + Drums + Mic ; And they kick sick, sic ! ?

• AUDIO SUPERSTAR was the combination between COPYRIGHT & COPYWRONG and the evolution towards GOPHER WYBOROWA & STANLEY KUBI. Patient, turbulent ebullition…

↑ Montage → Kara

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GRr006 *

• UNLOGISTIC
hAnger

| LP 12” ( BLACK ) 180gr. VINYL 45rpm + CD

→  Out of stock ← Maybe one day will come a new special edition∼amplification ! ?
→ In waiting for then you can visit my itinerant info$hop  at these
dates ←

Other releases
UNLOGISTIC
&
MOUSTAFA MOUSTACHE
vinyls + magazines
& CD
← ↑ ↓ →

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Pakito Bolino *

Pakito Bolino

      PAKITO BOLINO is a silk∼screen designer, colourist, comic strip & guitarist noise maker… Since decades the dirty, ugly & nasty buddy scratched hard his guitar on the screeching & sharp bands → Plaies Mobiles, La Machoire, Mug, Maître Chien, among others… He’s also the co∼founder of Le Dernier Cri ← an apocryphal collective of non∼standard multi∼form visual arghtists who evolve at the antipodes of conventional narration and illustration, by unceremoniously exploring the field of the wild image ; Crawling in a perverse universe often destabilizing, even disturbing…

• The line of Pakito Bolino is raw, obsessive and instinctive. Geo∼graphically speaking, after Angoulême, Bordeaux & Paris, he is now based in Marseille (france) since 1993…

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WITCHES VALLEY *

Witches Valley

      WITCHES VALLEY was a french spectacular band from the past which rages wildly between 1986 & 1992 → Rolling stones between folk, western, «psychedelic» surf and anthracite mauve blue garage ← Sensual & torrid dating melting H.P.Lovecraft, Lux Interior, Ennio Morricone, Dick Dale, Jeffrey Lee Pierce, Flipper, Butthole Surfers, Dalton Trumbo, Divine, Kirk Douglas, B.B.King & Link Wray in the wind of the plains of unpatented aromatic herbs → Something went wrong in the Wonderful Western land !!!

• Escaped from the magical world of Hollywood westerns & fantasy movies, WITCHES VALLEY had more to do with the skinned & uprooted characters that americana cinema has provided us with since the pre∼war period than with the heroines of comic books. Already, when the combo begun in ’86, he presented all the symptoms of the defect. Thier debut single, copiously edited in 1989 via the label GO GET ORGANIZED and cleverly titled «And This Way Red Neck, Do You Like It ?» { Recently reedited (with one bonus from their unique album) & remasterised within our second boxset Dont Worry Be Angrry → That you can listen on the player above }, make discover a garage band both rigorous & anguished. But that was after having lapped his repertoire by opening for groups such as the Hard∼Ons, NoMeansNo  or False Prophets (…), it’s  on stage that Witches Valley found its deep true dimension, allying country, hardcore, psyche & noisy∼pop  to its deliberately paradoxical game, still hesitating between naive ballad & distorted savagery. In live∼act, they created a climate of biting bestiality with a lot of fuzz guitar & bass feedback mixing oppressive atmosphere & beauty. Their tribal identity was visually expressed through the erotic ambiguity of their singer, reminding early crazy Elvis  and inevitably The Cramps ; A violence that was not altered, but rather powered by convoluted structures where unexpected breaks transformed a song into four or five highlights…

• Evolving in a hubbub that is both intellectual & spontaneous, they were a kind of Lucky Luke  revisiting Paul Morissey & Russ Meyer → We found there the same attraction for the disgust and the futile. The culmination of this perilous cruise was a debut album called «Extreme Return To The Source» { out in 1990 on AUTO DA FÉ Records } which traced, against the backdrop of an almost Hollywood  musical fresco, the unstoppable insanity of an adventure populated by murders & ancestral legends → The voices were colorful and the hues were multiple, from honeyed to howled, supported by female choirs of innoncent & perverse go go girls → An omnipresent organ —or discreet according to the titles— reinforced the hallucinogenic character inseparable from the screeching à la Sonic Youth  & candor à la Pixies → All supported by a battery either hardcore, than sixties ← Bringing together these two genres and closing the loop >>> from the sixties to the nineties, isn’t there just a six to return ? Combining emotion & irritation in their image as in their music, Witches Valley was both painful & pleasant → Something was wrong with this bunch of unhealthy yéyés, with these femme fatales cheerleaders lost in this music and these slobbering voices…

• Definitivly, something goes wrong & that’s smell good.

↓ ↑ Photos → Laurent Cassagne

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ZOO *

Zoo

      Attention ! One of my latest & greatest thrills arrives from indonesia in the form of a full∼fire full∼flame fourtet ← Drawing its hyper∼energy in the savagery of the «japanoïse» from 90’s > > > Ruins, Melt-Banana & Boredoms in the first line, ZOO does not forget the deterioration of its own local musical roots, cheerfully diverting traditional percussions & others kecak { choir of vocal percussions originally accompanying trances during balinese rituals }…

• Guided by the bestial & jovial Rully Shabara, also voice of Senyawa, the combo∼scenario —created in 2005— practices a növö∼hardcore, total, tribal, fractal, monumental on the verge of apoplexy. In the fondations of ZOO articulate the workers∼wizards of the sounds : Bhakti Prasetyo → bass + Dimas Budi Satya ← percussions + Ramberto Agozalie → drums.

• Since 2012, with «Prasasti», the group has resolutely affirmed its history and its political, mystical and philosophical hopes ← So takes the time to dig deeper the Khawagaka…

• The ZOO closes its doors in 2025 (as planned from the beginning) >>> Then opens the WUSA window…

ZOO

“Prasasti” tour
↓ ↓ ↓

22.03.2017
| PARIS
• fr |
Petit Bain
→ festival   “Sonic Protest”

23.03
| BLOIS
• fr |
Chez Matthieu

24.03
| TOULOUSE
• fr |
Mix’Art Myrys
→ festival   “Sonic Protest”

25.03
| VILLEFRANCHE∼DE∼ROUERGUE
• fr |
Les Hauts Parleur

26.03
| FELLETIN 
• fr |
La Petite Maison Rouge

27.03
| SAINT∼ÉTIENNE 
• fr |
Gran Lux

28.03
| AUREL 
• fr |
Gîte Colombia

29.03
| GENÈVE 
• ch |
Cave 12

30.03
| LUCERNE 
• ch |
Industrie

31.03
| WINTERTHUR 
• ch |
Kraftfeld

1.04
| BASEL 
• ch |
Off

3.04
| ZURICH 
• ch |
Bosch

4.04
| MULHOUSE 
• fr |
Noumantrouf

6.04
| SARRAZ 
• ch |
La Bille

7.04
| DIJON 
• fr |
Les Lentillières
→ festival   “Fête du Quartier”

9.04
| BRUXELLES 
• be |
Magasin 4

10.04
| TOURRINE SAINT∼LAMBERT 
• be |
La Ferme

11.04
| ENSHEDE 
• nl |
The Loch

12.04
| AMSTERDAM 
• nl |
OCCII

→ festival   “Sotu”
13.04
| ROTTERDAM
• nl |
Vrooom

14.04
| ERQUERY 
• fr |
La Grange

♥

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UNLOGISTIC *

Unlogistic

      UNLOGISTIC bear well their name ! Year 1996, a bunch of white french bourgeois  wankers come out of their boring parisian suburbs… Music outlet, ridiculous noise ; Useless engagement, dead end activism ; Smile, despair, hopes ? Stale, shameless, gutted, expired clichés  without effect, in fact… Persistence in wandering ; Decline in ease ; Clemency in the inconsistency ; Impotence in impertinence… Year 2002, organized chaos, motionless change, stoic fear, human machines… Year 2006, looking back, moving forward, still in love…

↑ ↓ Montages∼Collages → Kara

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TEAR OF A DOLL *

Tear Of A Doll

      TEAR OF A DOLL, formerly «Tears Of A Doll» { also under the diminutive TOAD }, was a band from Paris (france) which began within «punk∼hardcore» movement to then mix the speed & energy of this style with more complex structures inherited from the experiences of the 70’s «progressive∼rock», of «noise∼rock» or 90’s «math∼rock» even non∼western traditional musics… TEAR OF A DOLL also features she∼male voice sung in different languages ​​{ mainly english, but also japanese, german, french and hungarian }…

• TOAD begun in 1988, as a logical follow∼up to HeimatLos —french «punk∼hardcore» precursor in 1983— with three of its members —accompanied by François Truillet, also on bass later with Copywrong— as the basis of this new sonic adventure. Originally, they spelled their name with a «s». This name was chosen as a funny opposition of the typical «punk∼hardcore» band names of the time, and also in reference to a new trend that had originated in Washington∼DC and would later be called «emo», initiate around bands like Rites Of Spring, Gray Matter, Fugazi…

• 1992 → After losing their original singer —Norbert ex. Heimat-los— and their second guitarist —Nydeu ex. Kromozom 4— as well as the arrival of a new drummer —Orkhan Murat, the third one—, Tear Of A Doll took the opportunity to radically change their sound. From then on, they created a new repertoire developing obvious influences among others of Victims Family & NoMeansNo but with definitivly a personal touch (french touch, ah ah). Astrid Orion (voice) joined the band at this period. The most representative recording of this line∼up is the eponymous album recorded in 1996. From fall ’96, the guitarist & fonding member François L’Homer spend more time expatriate in asia than in france. Since then, the group is almost inactive, playing only at french festival Trans Musicales (1997) and occasionally publishing a few chansongs on compilations…