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EXTREM CHEROKEE *

Extrem Cherokee

        In a world where music is losing its true value, where big apples and corporations think only of extreme profits ; In this world where money has taken precedence over arghtistic, there are still men, courageous & reckless, who dare to challenge this sounding & stumbling industry and trying to juxtapose a different, irreverent vision of the musical spectacle and want to change the dogmas of greeding & dominating markets castrators of talented arghtists. These men are a number of four and have set up their base camp in france at Rouen, the city of propaganda. Daring to raise their sword against sonic insipidity, they arrive with a claiming and provocative brulot∼glaviot, drawing its sources from «extreme music» ← ’nuff said…

• EXTREM CHEROKEE (2003 > 2009) those were & did : Damien ← stereophonic rhythmic guitars, stereophonic solo guitars, choirs, heroic harmonic riffs + Guillaume ← rhythmic bass guitar, heavy, vocals, sound effects, heavy metal fashionista + Nicolas ← bass drum, snare drum, alto tom, bass tom, hi∼hat (closed & open), cymbals & sticks, gameboy, backing vocals, double∼pedal symphonies + Robin ← shouted voices, singing voices, choirs, keyboards, texts and spiritual vibrations.

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DONT WORRY BE aNGRry *

Dont Worry Be aNGRry

       DONT WORRY BE aNGRry → We don’t want to change the world ← We just want the world to change, strange ? Welcome to my collection∼passion in the shape of «Various Arghtists…»

• A N G E R . This intense and deep feeling which eats away at each of us, this indescribable need to release —in one way or another— our frustrating helplessness in the face of this… our society which sinks a little more each day into an unconsciousness self∼destructive, proud and pretentious. Well it’s precisely this liberating need { in the hope of relieving the pain even if the wound remains open… } that is exactly what we are talking about here. Assembling sonic & graphic fetishes VINYLS+REVUE, this creature∼adventure is just the unexpected mixing∼massage of a handful of all around arghtists with tools as diverse as drawing, music, photography, writing, noise, collage, painting, etc. Resolutely eclectic, here everyone has their say ; Some whisper ; Others are screaming. But all are expressed without taboos nor constraints. Rest assured good people, nothing subversive neither revolutionary here. No, the only wish of this singular project∼object is to satiate —if only for a moment— our (ever growing) appetite for freedom, fuck boredom !

↑ Drawing → Léo Quiévreux
↓ Painting ← Kiki Picasso
↓ ↓ Photos → Marie Benattar

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CURSE OV DIALECT *

Curse Ov Dialect

       Coming from Melbourne (australia), this multicultural bush gang { formed in 1994 around Raceless aka Maltese Well Monster & Paso Bionic, then consolidated with Volk Makedonski & Atarangi } with multiple references offers a joyfully iconoclastic and seriously messy performance…

• Taking their essence∼deviance deep into the socio∼political, poly∼ethnic and atypical «hip∼hop» culture : CURSE OV DIALECT interweaves traditional aboriginal sounds, «rock» riffs, among other oriental musics, as well as experimental, and deliciously mixed with all «electro» sauces. Considered as a musical anomaly on stage, theatrically savage and controversial at the crossroads of civilizations → Curse Ov Dialect is a great what-the-fuck & in-your-face which breaks with every conventional, consensual, accustomed habits…

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COPYWRONG *

Copywrong

      Dancing on the ashes of COPYRIGHT, this stormy quartet sharpened its noisy ill-in-the-head precision∼confusion ; COPYWRONG was : François Zzrif ← bass, also in TEAR(S) OF A DOLL + Gogor & sa holde ← bass + M.C. à Rio ← microphone + Morej ← drums. Existence∼lightning presence between 1996 & 1997, just enough time to do 19 nice & warm shows, often in duet∼duel with los amigos from KING BISCUIT ; And put out a 10” split EP with the same last ones, as well as a trilogy of CD compilations → «Minor Threat—Out Of Tune» with a cover of «Guilty Of Being White» + «Amnistia» in support of basque∼country prisoners + «Teck One—La Mauvaise Herbe» with the latest unpublished creations { That you can listen on the audio∼player above }…

• Then, various consequent projects responding to the following nicknames will keep up the sonic struggle : AUDIO SUPERSTAR (1999), GOPHER WYBOROWA (2000 → 2003), DANCE KENNEDYS (2001), MOUSTAFA MOUSTACHE no featuring UNLOGISTIC (2004 → 2010), STANLEY KUBI (2004 → 2011), then more recently with b a b i l SABIR (2015 ← 2018) and SUPERTRUMP (2017)… And haven’t we déjàVU?

• As Jimi Hendrix said : A good guitarist is a dead one !

↑ ↓ Montages → Plonk & Replonk

“bonzini” tour
↓ ↓ ↓

25.01.1997
| PARIS
• fr |
Delly’s

29.03
| PARIS
• fr |
Noise Gate

23.04
| MONTREUIL
• fr |
Instants Chavirés

7.06
| ÉPUISAY • fr |
Ô Bon Bougre
28.06
| PARIS
• fr |
La Grange Aux Belles
3.07
| MONTREUIL
• fr |
Nouveau Vendémiaire
5.07
| DIJON
• fr |
Festival Libertaire
8.08
| ÉPUISAY
• fr |
Ô Bon Bougre
10.09
| MONTREUIL
• fr |
Nouveau Vendémiaire
20.09
| ÉPUISAY
• fr |
Ô Bon Bougre 
( la der ! )
25.10
| STRASBOURG
• fr |
Molodoï
26.10
| CHAMBÉRY
• fr |
Local de la Ronce
28.10
| CASTOU
• fr |
Fortan
31.10
| AUDINCOURT
• fr |
Nelson Bar
1.11
| SAINT∼ÉTIENNE
• fr |
Mistral Gagnant
2.11
| LYON
• fr |
Squat de Vaise
14.11
| ISSY∼LES∼MOULINEAUX
• fr |
Farenheit
15.11
| PARIS
• fr |
Pop In
22.11
| ROUEN
• fr |
Chez Émile
♥

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COPYRIGHT *

Copyright

        Dinosaur quatuor < > First creative encounter (1994 → 1996) which revealed the following bands : COPYWRONG, AUDIO SUPERSTAR, GOPHER WYBOROWA, Dance Kennedys, MOUSTAFA MOUSTACHE no featuring UNLOGISTIC, and also STANLEY KUBI, oh oui !

• COPYRIGHT was : Igor ← bass + Kat ← guitar & screams + Loïc ← drums + Macario ← throat. Short live band just in time to do few rehearsals (creation), exactly 21 concerts (exhibition), a demo K7 (construction), a 7” vinyl (introduction) and a last compilation appearance (conclusion) —with the replacement of Loïc by Morej on drums— { That you can listen on the audio∼player above } for the last straight line, including the finishing of the last 3 titles and the action of the 2 last shows, pause.

• So, then comes COPYWRONG…

↑ Painting ← H.R.Giger
↓ Montage∼Collage ←Winston Smith

“(des)espoir” tour
↓ ↓ ↓

8.04.1995
| VILLIERS∼SUR∼MORIN
• fr |
Salle des Fêtes

14.05
| MONTREUIL
• fr |
Vendémiaire

24.05
| SAINT∼OUEN
• fr |
Squat

12.06
| MONTREUIL
• fr |
Instants Chavirés

21.06
| DAMPMART
• fr |
Forêt

24.06
| ÉPUISAY
• fr |
Ô Bon Bougre

1.07
| MONTREUIL
• fr |
Vendémiaire

9.07
| DIJON
• fr |
Bar

15.07
| GENÈVE
• ch |
Squat

22.09
| MONTREUIL
• fr |
Vendémiaire

20.10
| STRASBOURG
• fr |
Molodoï

21.10
| ROUEN
• fr |
Chez Émile

27.10
| LE HAVRE
• fr |
Bar

28.10
| SOTTEVILLE∼LÈS∼ROUEN
• fr |
Festival

29.10
| DUNQUERQUE
• fr |
Bar

12.11
| LILLE
• fr |
Le Clos Ferrer

1.12
| MEAUX
• fr |
Bar

3.12
| ROUEN
• fr |
Chez Émile

30.03.1996
| PARIS
• fr |
Squat 105

5.07
| MONTREUIL
• fr |
Nouveau Vendémiaire

14.07
| GENT
• be
|
Squat
♥

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CONNARDS LAKEYS *

Connards Lakeys

      More «punk» than Ramones ← More «rock» than Elvis ← More «electro» than Justice ← More «dub» than Lee Scratch Perry → CONNARDS LAKEYS was THE net∼plus∼ultra of the cream of the crop. Happiness, sweatness, splendors… impostors !

• This bunch of young old friends with an enlightening career (2001 → 2005) will stir each of your deep inhibitions, frustrations and other depressions. Anyway… It was the story of four Connards in the wind, completely lost in the wind > > > Whack !

↑ ↓ Visuals → Kara

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Ben& *

Ben&

          If you think that Barbara Kruger has influenced John Yates…? If you also think to Hannah Höch, Raoul Hausmann, John Heartfield or Linder Sterling ? Be sure that all those «stealworkers» have inspired our copist arghtist BEN&…

• Deconstruction of the communication. Communication of the confusion. Confusion of the provocation. Provocation of the imagination. Abscon Satyricon. Collages ← Montages ← Cutouts ← Dismantles ← Volages ← Batifolages… Not wise. Humor of moods, love to death !

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b a b i l SABIR *

b a b i l SABIR

      In perpetual boiling, the collective adventure b a b i l SABIR explored, exploded the sounds with an all∼terrain formation : acoustic, electr(on)ic, multi∼instrumental, wobbly, artisanal. It was spellbinding, demanding, insane and even dancing… Amazing, no ? This bewildered and unheard∼of UFO brings together a great range of french personalities —from all four corners of the hexagon— with oblique, eclectic journeys : In addition, ardent actors in whimsical and enthusiastic escapades, this mess of troublemaker arghtists developed a sprawling, diverse, open universe… This creation∼friction → great manipulation∼coercion from Monsieur Quiconque, hardcore mentor à la Dark Vador ← sketched, from 2015 to 2018, an experience∼violence for further adventures… Pleasure ?

• P E R S O N N E L  ↓ ↑ ↓
Julien Boudart : Organs & keyboards, burmeses & thaï gongs…
Benjamin Colin : Drums, cowbells, electronics, metallics…
Marie-Hélène Grimini : Weird guitar, stylophone, lyrical soaring…
Pakal Dennetière : Cool groove bass…
Nicolas Gardrat : Fretless & classical strings, xylophone, general midi…
Alexandre Bénévent : Cello, bass, percussions…
Didier Tillit : Nonchalant recordant…
Arthur Braesch : Sound system, spacialization, cohesion…
Camille Jamain : Mastering, mix before press, express…
Monsieur Quiconque : Vocal body, trans∼mitter on stage…
Only•Vinyl cover stealwork : Angela Ehrhard
Structure : Arnaud Bardel
Matronage : MadameMacario
← ↑ ↓ → This chaos would never have seen the light of day without the unconditional support of La Ferme Saint∼Michel from Confolens, La Grange from Erquery, Chez Cramps at Treuil & the party hall from Faux∼La∼Montagne with of course the association ToutAzimuts > > > Yeah Dani !

• I’ve always been puzzled by RAMBO 2… or even the 5 → Oh là là ! ?

“quelconque” tour
↓ ↓ ↓

12.04.2018
| FAUX∼LA∼MONTAGNE
• fr |
Salle des Fêtes
→ residency coming out

13.04
| GENTILLY
• fr |
Le Générateur
→ night fever  “Tribalism”

14.04
| AMIENS • fr |
Cirque Jules Verne
→ circus show  “Le Vide”

15.04
| ERQUERY
• fr |
La Grange

17.04
| LILLE
• fr |
La Malterie

18.04
| BRUSSELS
• be |
Le Lac
→ soirée  “La Maturité Sexuelle des Plantes”

19.04
| CHALON∼EN∼CHAMPAGNE
• fr |
→ festival  “Furies”

20.04
| STRASBOURG
• fr |
Molodoï
→ soirée  “Migrants’ Benefit”

21.04
| TÜBINGEN
• de |
Hausprojekt Lichtenstein

22.04
| BASEL
• ch |
Sommercasino
→ soirée  “C’est Quoi Çà?”

24.04
+ STRATOCASTORS +
|
ZURICH
• ch |
Koch∼Areal

25.04
| BESANÇON
• fr |
L’Atelier de l’Étoile

26.04
| VENAREY∼LES∼LAUMES
• fr |
La Quincaillerie

27.04
| DIJON
• fr |
Les Lentillières
→ fiesta  “Quartier Libre”

28.04
| LUZERN
• ch |
Industrie

30.04
| MONTIGNARGUES
• fr |
Atelier Gest

1.05
| SAINT∼ÉTIENNE
• fr |
Atelier Morse

2.05
| NICE
• fr |
La Zonmé

4.05
| AUREL
• fr |
Gîte Colombia

5.05
| VÉBRON
• fr |
Casa MoM

6.05
| LUGAN
• fr |
Le Négral

7.05
| TOULOUSE
• fr |
IPN

9 & 10.05
+ SENYAWA +
|
PARIS
• fr |
Lavoir Moderne

→ festival  “La Voix Est Libre”
♥

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Albert Marcœur *

Albert Marcœur

      ALBERT MARCŒUR is an unclassifiable french musician and singer, born December 12, 1947 in Dijon. Passionate about melodic, rhythmic and sound experiments, he is nonetheless an author of texts that are at the same time light, funny and offbeat. His experimental, proven musician & entertainer sides earned him for a time the name of «french Frank Zappa» and to be sometimes compared to the brazilian Tom Zé…

• During part of his eight years of clarinet studies at the National Conservatory of Music and Dance in Dijon, Albert Marcœur played in local «rock» groups at school and then with the Jazz Babies and then the Lake’s Men, with which he forges an experience of the stage…

• Then he left in 1970 for Le Fidelaire in the north∼west of france, where he was a musician attached to the Frémontel studio. With his formation { KAPAK → Patrice Tison on electric guitar, Pascal Arroyo on bass and François Bréant on keyboards who will become Bernard Lavilliers’ regular musicians } he learns the use of multi∼track, improvises and composes when the studio is left vacant by the parisian musicians who come to record there…

• The first album «Albert Marcœur» was released in 1974, and a group formed for the regular tours that followed, in which Albert brothers, Claude & Gérard participated in particular, as well as François Ovide on guitar and Pierre Vermeire —survivor of the Lake’s Men— on clarinet and saxophone. In parallel with the creation of his second opus «Album À Colorier» he created in 1975 and 1976 the arrangements of two albums for dutch arghtist Dick Annegarn, «Mireille» and «Anticyclone» —for which he is also musical director—. During the next two years, with his brothers he accompanied Dick Annegarn on tour and they even shared the Olympia at Paris (france) show in October ’75…

• It is difficult to assess whether it is ALBERT MARCŒUR who is discreet in the media by choice or if it is the media that show his work very little, but overall we read or hear his name quite rarely on the radio or in the music press. Yet he never stopped publishing albums of his sound creations every four or five years ; What is a great regularity of production for a musician so fond of non∼conformism…

• In 2013 & 2014 he toured french∼speaking countries with his show «If so, yes. Otherwise no.» produced in collaboration with Quatuor Béla, which made the digital recording in 2017…

• In 2014 he signed the book «But Mr. Marcœur, how is it that you did not come to see us earlier ?!» with the swiss dada duo Plonk & Replonk, now adding writing to the extended panel of his arghtivities…

• Since 2017, a selection of 4 unreleased chansongs { Than you can listen on the player above  } were included in the boxset compilation «DONT WORRY BE ANGRRY». And Albert continues his journey with various other arghtists… 2026 is the year of the release of his ultimate, intimate album «V’là Autre Chose !» → Hey ! Ho ! Let’s go to listen & buy it now !!!